Thinking about themes

At this very early stage in my reading I am starting to try and sort out some of the mechanics of note keeping, what do I need to read first, how to remember to go back to something I saw in passing and so on. At the moment its all a bit scattergun but a few things seem to come regularly to the fore and may end up being areas for more investigation:

Concrete and Prefabs - John Laing did a lot of development work on concrete and how it could be used as part of house building systems (which might be considered prefabs depending on your definition of that term) - this led to commercial products such as Lytag. Concrete has a vast history but seems to have been reborn in the post WWII period - Jones suggests that 'As the modern world rose from the rubble of Second World War, it was shaped by one material above all others.' ¹ and that material was concrete.
Coventry Cathedral - This might provide a focus based on the design work, the documentation of the building and of course the importance to John Laing's of religion.
Motorways - John Laing was responsible for the construction of the M1 and its hardly news that such roads have radically altered our social world.
The Atomic Age - John Laing was responsible for work on some of the earliest nuclear plants and its hard to think of something that does not embody the idea of a modern world than nuclear power in the 1950s.
National Identity - All of the above might be considered as mechanisms for (re)creating a national identity following WWII.

1) Jones, N. (2017). The world recast : 70 buildings from 70 years of Concrete Quarterly / Nick Jones: London : Artifice books on architecture : The Concrete Centre.

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SAHGB - First Public Outing for the John Laing Research

Yesterday I presented 'The Power and the Glory: A Study of John Laing & Son Ltd through its Photographic Archive" at the Society of Architectural Historians of Great Britain's Architectural History Workshop in London. There was a lot of positive feedback and a number of entirely new areas to take a look at, such as the work done by William Mitchell. Mitchell was a sculptor from the 1950s who worked extensively in Laing's concrete products - thanks to Dr. Dawn Pereira (see some of Dawn's work on Mitchell here The concrete legacy of William Mitchell ) for bringing this to my attention. Mitchell has a number of works listed including pieces in Clifton Cathedral ( Cathedral Church of SS Peter and Paul, Clifton Park ). The series of presentations helped give a real sense of the amazing variety of subjects and approaches that fall loosely under the banner of architectural history and it was noticeable that photography played a part in quite a few. To show th

Going Nuclear

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The Mystery L

Clapham Wind Tunnel One area where being able to talk to the people who worked for John Laing is really helpful is unravelling the odd mystery. I have noticed that in a number of photographs from the 1950s there is one or two individuals who had a large L on their jacket. I speculated on what this might be and thought that most likely it was to designate the leader of a team of workers. I was able to put a short piece in John Laing's Retired Employees' News asking for any information on the mystery L and several people kindly wrote to explain the mystery - which was no real mystery at all. The L simply stood for Laing but only new employees would be given a jacket with the logotype and so this took a long time to permeate through the organisation. A case of applying Occam's razor and not overthinking things for me.

The Good Builder - Researching John Laing

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